Detail Of Assessed Criteria
This historic area was registered under the Historic Places Act 1993. This report includes text from the original Historic Place Assessment Under Section 23 Criteria report considered by the NZHPT Board at the time of registration.
(b) The association of the place with events, persons, or ideas of importance in New Zealand history:
Mr J Hunter Shaw, is one of the best known names associated with the development of Patea in the late 1920's. He came to New Zealand from Northern Ireland in the 1860's and spent his life, farming at Whenuakura, in the Patea District. He was a very private person. He lived for over ninety years, and, at his death in 1928, was the last member of his family left in New Zealand. His Will "left a generous estate to be administered in the citizen's behalf". Grants from his estate for development projects in Patea totalled 8,500 pounds, of which over half this sum went to the Patea library building. The inscription on
Mr Hunter Shaw's grave reads "Lived an honourable and simple life and generously bequeathed his wealth to charities".
Articles on the work of architect, William Gummer in the New Zealand House and Garden magazine, (April, May and June 1997 issues), record him as being a "prolific and highly regarded architect throughout his career and his buildings remain amongst the best loved structures in the communities where he created them."
He designed the Grey Lynn Library, 1924, Category II and the Remuera Library 1926 (Category I). Other well-known designs include the Wellington Carillon, Category I, the National Art Gallery, Category I, and a number of great houses in Auckland from Takapuna to Papatoetoe, the Auckland Railway Station, Category I, and properties in Hawkes' Bay - Arden, Category I and Te Mata Homestead, Category I.
(e) The community association with, or public esteem, for the place:
The Patea Library building is a cultural centre for the town and is held in high esteem by the people of the Patea district. The building has been occupied continuously as a Library and Plunket rooms since its completion in 1930. At the South Taranaki District Council meeting on September 27th 2000, it was agreed that the building will continue to house the library meantime, but that the Council will keep its options for the building open.
(g) The technical accomplishment or value, or design of the place:
By World War One, the Georgian style of design was well established in both Britain and in America and was to remain so through until the late 1930's. New Zealand followed suit in adopting the Georgian style just at the outbreak of World War One, with Elliott House, Wellington, (Category I), being the first major New Zealand example of the style designed by architect William Gray Young in 1913-14. Elliott House was an essay in domestic architecture and Georgian architecture became a popular choice for institutional buildings and commercial structures of modest size. The Patea Library building falls into the public/institutional building category.
The plain exterior wall surfaces of fine face brickwork with classical elements (e.g. Doric Order, portico, tiled roof, double- hung twelve light windows with glazing bars and window shutters, cupola on the roof ridgeline), are typical of the style. Walls are traditionally load bearing, and, inside the building one may see an emphasis on traditional wood panelling with bolection mouldings along with simple plastered walls and ceiling beams with Classical moulded cornice. While the interior design and original fittings have been modified, the character of the building has still been maintained.
(m) Such additional criteria not inconsistent with those in paragraphs (a) to (k):
Inter War Georgian architecture and its related style, Inter War Georgian Colonial American Revival, is well represented on the Trust's national register. New Zealand architects who practices in both styles were William Gray Young, Cecil Wood, Helmore and Cotterill, and Herbert Hall. Some of their better known buildings are Elliott House, Wellington, 1914, Category I, Gray Young; the Wellesley Club Building, Wellington, 1925-6, Category I, Gray Young. Weston House, Christchurch, 1923, Category I, Cecil Wood; Bishopscourt, Christchurch, (now Bishopspark Main Building and Chapel), 1926, Category L Cecil Wood; Anderson Park, Invercargill, 1925, Category I, Cecil Wood; and The Grand Chateau, Ruapehu, 1929, Category I, Herbert Hall.
Architects, Gummer and Ford were outstanding practitioners of the Georgian Revival style along with other styles, Twenty-six buildings by Gummer and Ford are registered. These range from Viennese Art Nouveau - e.g.. the Auckland Wintergardens, 1916-30, Category I; Tauroa, Havelock North, 1916, Category I, through to Georgian Revival - the Remuera and Grey Lynn Libraries, as previously mentioned, Stoneways, Auckland, 1926, Category II; and ending up with Stripped Classicism and Art/Deco Moderne styles - e.g.. the Dilworth Building, Auckland, 1926-7, Category I, the Auckland Railway Station, 1930, Category I and the State Insurance Building, Wellington, 1940, Category I.
Of the thirty-eight registered libraries listed on the Trust's national register, only two can be considered to be genuine Georgian Revival buildings. These are the Remuera Public Library and the Grey Lynn Public Library. The Remuera Library, considered to be the sister building of the Patea Public Library, won the NZIA Gold Medal for Gummer and Ford in 1928, Despite its similarity with the Remuera Public Library, the Patea Library was not a NZIA medal winner. However, in terms of rating, the Patea Library comes somewhere between the best of Category I registered Georgian Revival buildings such as Bishopscourt in Christchurch, or, The Grand Chateau, at Ruapehu, and Category II examples of the style in public/institutional buildings such as the Grey Lynn Library, the Cathedral Grammar School Building, Christchurch, 1928, Category II by architect W,H, Trengrove, or the Christchurch Polytechnic College Assembly Hall, 1935, Category II, by Alan Manson.
