Historical Significance or Value
The Church of the Holy Sepulchre and Hall has historical significance for its close associations with the development of the Anglican church in Auckland - including the Maori Anglican Mission - and with the growth of Grafton as an early inner city suburb. The Church is also historically significant for associations with Reverend Dudley - who was Bishop Selwyn's secretary for three years prior to becoming the parish's first vicar - Bishop W.G Cowie, the first Bishop of Auckland, and with later church leaders such as Sir Kingi Ihaka. The Hall has broader historical importance for its late nineteenth-century use as a temporary church for Auckland's first parish, St Paul's, prior to the building's relocation to Burleigh Street.
The Church and its Hall have architectural value as adjacent and contrasting examples of late nineteenth-century Anglican religious architecture. The Church is particularly important as a well-preserved and significant example of a Late-Victorian Gothic Revival timber church designed by the prominent Auckland architectural practice of Edward Mahoney and Son.
The place has considerable aesthetic value for its landmark qualities derived from the Church's size, tall steeple, steeply pitched roof and ridge-top location. The Church is also aesthetically significant for its external details and for the quality of its interior features, fixtures and fittings, and chattels. Two pohutukawa trees in the grounds also provide some aesthetic significance.
The place has cultural significance as the home of the Auckland Anglican Maori Mission since 1969, as the place of work of Sir Kingi Ihaka who trained many Maori choirs and culture groups, and as the location of scenes from New Zealand's first full length Maori language feature film and other cultural events.
The place has considerable social significance as a place of public gathering and congregation for over 120 years. Since being relocated to the site in 1898, the hall has been used for prolonged periods as a Sunday School, as a dance hall and as a religious marae.
The place has high spiritual significance as a major place of religious worship for over 120 years. Spiritual significance extends to the Hall, which was previously used as a church.
(a) The extent to which the place reflects important or representative aspects of New Zealand history
The Church of the Holy Sepulchre and its hall reflect important aspects of New Zealand history, particularly the development of the Anglican Church in Auckland in the nineteenth and early twentieth centuries. The buildings are also closely associated with the growth of Auckland during this period and its transformation into a major urban settlement. Their more recent history reflects the growth of urban Maori communities in North Island cities in the later twentieth century.
(b) The association of the place with events, persons, or ideas of importance in New Zealand history
The place is associated with significant individuals in the Anglican church, including Bishop Cowie, Archdeacon Benjamin Dudley and Sir Kingi Ihaka. The place is also connected with prominent parishioners such as George Pierce, founding manager of the New Zealand Insurance Company.
(d) The importance of the place to tangata whenua
The place can be considered important to tangata whenua as the home of the Auckland Anglican Maori Mission; for its association with Maori Church leaders of note; as Tatai Hono marae; and as the location of significant Maori cultural events, including the filming of parts of the Maori Merchant of Venice, New Zealand's first full-length feature film in te reo.
(e)The community association with, or public esteem for, the place
The Church of the Holy Sepulchre and its hall have very strong associations with the local community as a place of communal worship and gathering for over 120 years.
(f) The potential of the place for public education
Incorporating a prominent landmark and community-accessed buildings in Khyber Pass Road, one of Auckland's main thoroughfares, the place has considerable potential for public education on the role of religion in past society, the development of the Anglican Church, and the contribution of Maori to urban life. It can also provide education about New Zealand architecture, particularly the historical use of the Gothic Revival in ecclesiastical architecture and the use of commemorative stained glass windows in Auckland's inner-city Anglican churches.
(g) The technical accomplishment or value, or design of the place
The main church is of very considerable value for incorporating Auckland's tallest spire at the time of its construction - still a major landmark - and as a striking and little-altered large timber building of Gothic Revival appearance. Its Lady Chapel is significant as a well-executed and well-preserved example of 1930s ecclesiastical interior design. The hall is significant for incorporating the remains of a parish church of similar date to the predominant fabric of the main church, and for its conversion to an urban marae. Two surviving pohutukawa trees reflect nineteenth-century ideas about beautification and ecclesiastical urban landscape design, while also adding to the place's aesthetic value.
(h) The symbolic or commemorative value of the place
The place has some commemorative value for its stained glass windows and other elements that commemorate past clergy and parishioners. The marae has symbolic value as a place for all peoples to gather.
(k) The extent to which the place forms part of a wider historical and cultural complex or historical and cultural landscape
The place is an important part of an extensive historical and cultural urban landscape, recognised as the Upper Symonds Street historic area (NZHPT Registration # 7367). The historic area incorporates other buildings directly related to the church and hall, including an adjacent parsonage. The place is also close to the historic Symonds Street Cemetery - Auckland's earliest major burial ground - which formed the site on which the parish was founded. Other churches in the vicinity include the Baptist Mission Church at the intersection of Burleigh Street and Mount Eden Road; and the Catholic St Benedict's Church at the intersection of Alex Evans Street and St Benedicts Street, Newton.
Summary of significance:
The Church of the Holy Sepulchre and Hall is recommended for Category I registration as a place of special or outstanding historical or cultural heritage value because:
-It has had an important role in the history of Anglican religious development in Auckland, including as a major parish church and as home to the Maori Anglican Mission. Its hall was also used as a temporary replacement for St Paul's Church;
-It incorporates an important and well-preserved example of Gothic Revival religious architecture designed by Edward Mahoney and Son, which at the time of its construction boasted the tallest steeple in Auckland;
-It retains high landmark and other aesthetic qualities, and is an important part of an extensive cultural and historical landscape - the Upper Symonds Street Historic Area;
-It has strong cultural, social and spiritual values, which are ongoing.
Edward Mahoney (1824-1895)
Edward Mahoney emigrated from Cork, Ireland with his wife Margaret and three children. The Mahoneys arrived in Auckland in 1856 where Edward set up as a building and timber merchant. In 1876 he established the architectural practice that later became Edward Mahoney & Sons, which for over thirty years designed and supervised construction of many Catholic buildings as well as churches for other denominations.
The Church of St John the Baptist, Parnell (1861) and St Mary's Convent Chapel (1866) are two of the earliest surviving ecclesiastical buildings designed by Edward Mahoney and reflect the gradual evolution from simple Gothic Revival structures to more ambitious and creative use of the Gothic form such as may be seen in the Church of the Holy Sepulchre, Khyber Pass (1881); and St Patrick's Cathedral, the latter completed in 1901.
Edward Mahoney was a founding member of the Auckland Institute of Architects, attending the first meeting in December 1880 where he was appointed honorary treasurer. He became president of the Institute in 1883. His sons Thomas (1855?-1923) and Robert (1862-1895) joined him in practice in 1876 and the early 1880s respectively.
Upon Edward's retirement in 1885, Thomas and Robert carried on the practice. After Robert's death in 1895, Thomas changed the firm's name to E. Mahoney & Son. The Mahoneys designed a wide variety of buildings including the Auckland Customhouse, hotels, commercial buildings and houses, their best-known surviving domestic buildings being the Pah, at Hillsborough (1877) and the Dilworth Terrace Houses, Parnell (1899). Their ecclesiastical buildings included St Mary's Church of the Assumption, Onehunga (1888) and St Benedict's Church, Newton (1888).
The firm of Edward Mahoney & Son continued to practice for a short period after Thomas Mahoney’s death in 1923, but was eventually dissolved in 1926.
Source: NZHPT Registration Report for Bank of New Zealand (Former), Devonport (Register no. 4511).
Skinner, William Henry
Skinner (1838-1915) grew up in England, the son of a builder. A student in the Department of Science and Art at South Kensington, he was awarded a bronze medal for success in art in 1859. He came to New Zealand that same year, working as a contractor and builder in Auckland. He remained in Auckland and practised as an architect from 1880 until his death in 1915.
His buildings include the "Star" Printing Office; the Onehunga Woollen Mills, the Freemason's Hall and the Grand Hotel, Princes Street. His ecclesiastical buildings include St Paul's Anglican Church, Symonds Street (1894-95), St James Presbyterian Church, Thames, and the Holy Sepulchre Church Hall, Khyber Pass. The latter was built as a temporary church for St Paul's parish and was later relocated.
William Henry Skinner (1838-1915), the son of a builder, was born in Newport, Wales. He studied in the Department of Science and Art at South Kensington, and was awarded a bronze medal for 'success in art' in 1859. Skinner came to New Zealand that same year, subsequently working as a contractor and builder in Auckland. In this capacity he erected a parsonage associated with the earlier Church of the Holy Sepulchre in Symonds Street in 1869. After enlisting in the Royal Rifle Volunteers during the New Zealand Wars, he rose to the rank of major. He remained in Auckland and practised as an architect from 1880 until his death in 1915.
Skinner's designs as an architect included the 'Star' printing office (demolished); the Onehunga Woollen Works; and the Freemasons' Hall (now a façade) on Princes Street, Auckland. His ecclesiastical buildings included the St James Presbyterian Church, Thames; St Paul's Anglican Church, Symonds Street, Auckland (1894-1895); and the temporary St Paul's Church, Eden Crescent, Auckland (1885) which is now part of the Church of the Holy Sepulchre complex on Khyber Pass Road.
1879 construction - register number 652
Little is known of builder John William James. A trustee of the Ponsonby Baptist Church, Auckland, his name appears with others on the deeds of conveyance for the two lots purchased for the church in Jervois Road in December 1874 and November 1885. James, who lived in Russell Street, Ponsonby, built St Stephen's Presbyterian Church at the corner of Curran Street and Jervois Road in 1879. He subsequently erected the Anglican Church of the Holy Sepulchre, Auckland, in 1880-81. Both these buildings were designed by Edward Mahoney and Son.
Little is known of Auckland architect Charles Towle. The former First Church of Christ Scientist, which survives at the intersection of Symonds Street and St Martin's Lane adjoining the Grafton Cemetery, was to his design. Completed in 1933, this imposing building was designed in the Neo-Georgian style. Towle was also the designer of a warehouse in Anzac Avenue for W.H. Worral and Co. Originally known as Hercules House, and later as the Lawford Building, this building dates from 1935.
In 1938, he designed a Lady Chapel in the Church of the Holy Sepulchre, incorporating three stained glass windows. The chapel, with its simple rectangular forms contrasts with the curvilinear forms of the Gothic Revival style of the Church and reflects the new International Modernism developing at that time. In February 1941, Towle also won the design competition for a new Anglican cathedral in Parnell.
F. Noel Bamford (1881-1952) was born in New Plymouth. By early 1908 he had formed an architecture partnership with A.P. Hector Pierce (1879-1918) who served in the First World War (1914-1918) and died in Palestine.
Bamford studied under architect Edward Bartley during the construction of St Matthew's Church, Auckland, which was commenced in 1902. He worked for a time in the office of renowned English architect Edwin Lutyens and returned to New Zealand in 1906, the year before Pierce, who was also a student of Lutyens. Bamford (the more flamboyant and creative) and Pierce (considered to be the steady worker of the partnership) are best remembered as the designers of Neligan House, Parnell (Record no. 103, Category I historic place), an English Domestic Revival-style residence constructed in 1909-10 as the new Bishopscourt; and buildings for the Auckland Exhibition 1913-14 (of which the Tea Kiosk in the Auckland Domain is the sole survivor).
Specialising primarily in residential works, houses designed by Bamford or the Bamford and Pierce partnership include Ngahere, Mountain Road (1907-8); Pencarrow Avenue and Domett Avenue (both circa 1910); St George's Bay Road (circa 1912) (Record no. 2634, Category II historic place); Arney Road (1912) (Record no. 604, Category II historic place); and Brightside Road (circa 1915). Little is known of Bamford's career after Pierce's death in 1918. He designed a house in Mainston Road for his parents in 1926 and supervised the repositioning of a church hall as part of the Church of the Holy Sepulchre complex (Record no. 91, Category I historic place) on Khyber Pass Road in 1919. He also designed the church hall alterations undertaken at that time. Bamford subsequently worked for the architectural practice of Gummer and Ford for a short period and at some time is believed to have been employed by the Hamilton Construction Company as Clerk of Works.
Langley & Son
No biography is currently available for this construction professional
The Church of the Holy Sepulchre is a large inner city church, erected in 1880 to 1881 to serve an extensive parish in the western part of Auckland. Its associated hall was originally constructed in 1885 as a temporary church to replace the city's first Anglican place of worship - St Paul's - and was moved from Eden Crescent to the site for use as a hall in 1898.
The Church of the Holy Sepulchre replaced a building of the same name, which had been erected as a mortuary chapel in the Anglican section of the Symonds Street Cemetery in 1865. After a substantial parish extending northwards to Helensville was constituted in 1870 - encompassing Auckland's main prison and hospital on the fringes of the colonial settlement - the building was used as a parish church. Initially enlarged for the purpose, the structure proved insufficient for an increasing congregation as Grafton and its neighbouring area developed rapidly during the economic boom of the 1870s from a rural backwater to a prosperous inner suburb. Its location in Auckland's main cemetery, which accommodated the dead of many faiths, may also have been seen as increasingly unsuitable.
In August 1879, the current site was purchased by the Anglican authorities on a ridge-top location, close to major commercial buildings at the junction of Symonds Street and Khyber Pass Road, and in an area of large opulent dwellings. Part of the reason given for not locating the new church beside Symonds Street - then one of Auckland's major routes to the south - was to avoid traffic noise. The site appears to have earlier been used as farmland. Edward Mahoney and Son had previously been asked to submit plans for a new church in January of the same year. Mahoney's was a prominent architectural practice that had made a name for itself in church design in Auckland, notably but not exclusively for the Catholic authorities. A construction tender by John James was accepted on 23 October 1880. Less than a year before, James had built St Stephen's Presbyterian Church, Ponsonby - a smaller timber church in the Gothic Revival Style, also to the design of Edward Mahoney and Son. The corner stone for the Church of the Holy Sepulchre was laid by Bishop William Cowie (1831-1902) on 9 November 1880. Cowie had been appointed the first Bishop of Auckland at a consecration service in Westminster Abbey, London, in 1869, and was responsible for a considerable wave of church building until his death in 1902.
During construction work the building was lengthened by 4.25 metres (14 feet) to accommodate 680 adults, giving a completed length of 39.9 metres (131 feet) and a width of 16.7 metres (55 feet). The Church was formally opened for worship on 29 June 1881. To avoid cost, the seating from old St Sepulchre's was transferred to the new building, as was the old bell. Four stained glass windows were also transferred, commemorating important parishioners and benefactors. These are considered to be the earliest surviving examples of stained glass from Anglican churches in colonial Auckland. In 1903 the previous St Sepulchre's was sold and relocated for use as a Baptist Church. It survives as the Girl Guide Hall at 132 Grange Road Mt Eden.
Construction of the new church cost over ₤ 3000 , and it was to be several years before the parish of Holy Sepulchre could afford an organ (1896), church hall (1898), or parsonage (1920). Apart from the windows transferred from the earlier church, commemorative stained glass was introduced elsewhere between 1883 and 1890 through individual donations. Other significant donations included the church's distinctive pulpit, carved with representations of New Zealand flora, which is considered to have been given by the architect Hector Pierce in memory of his father G.P. Pierce. Pierce, senior, was the general manager of the New Zealand Insurance Company for 30 years and a prominent parishioner. He is further commemorated (with his wife) in a stained glass window in the sanctuary. Several pohutukawa trees and other plants were grown to the north of the church, beautifying its grounds, and are likely to have been planted soon after the church's construction. The first incumbent of the new church was the Reverend Benjamin Dudley, who had been secretary to Bishop George Augustus Selwyn - New Zealand's first Anglican Bishop - from 1865 to 1867, and also served as secretary and treasurer to the Melanesian Mission, based in Auckland. Dudley was vicar to the earlier Church of the Holy Sepulchre during its use as a parish church, and was made an Archdeacon in 1883.
The lack of a hall on the site in which to conduct Sunday school and church social events was remedied in March 1898. At a cost of ₤105, the vestry purchased the building used by St Paul's parish as a temporary church and school in Eden Crescent. The structure had been erected in 1885 as a result of the demolition of the St Paul's Church in Emily Place - Auckland's premier Anglican church - and was used for worship until the opening of its permanent replacement on Lower Symonds Street in 1896 (St Paul's Church (Anglican), NZHPT Registration # 650, Category I). The temporary building was moved and re-erected to the south the Church of the Holy Sepulchre in 1898 under the supervision of Messrs Langley and Son, where its transepts were extended for classrooms, and a small lean-to kitchen and bathroom were added on either side. The remodelled structure was formally opened in July 1898 by Bishop Cowie. The Sunday School soon had 325 children with 30 teachers, and the building also provided rooms for the Church Club and gymnastics club.
Both the church and hall saw modifications in ensuing years. The hall was relocated from its position fronting Burleigh Street to its current site in 1919, allowing an adjacent vicarage to be constructed to the south. Alterations to the hall at this time included the addition of a basement containing a new kitchen and bathroom facilities, an additional room on the building's east side, and a raised stage in the hall's southern end. The earlier transepts also appear to have been heavily modified, with the removal of gables on one side and their conversion to an arcaded aisle on the other. This work was the responsibility of architect Noel Bamford.
Alterations to the church in the 1920s included the provision of a robing room in the west end of the nave. In 1938 a large altar 'of the type ... used in England in the mediaeval period' was introduced (but has since been replaced). A vestry on the south side of the chancel was extended and transformed into a Lady Chapel in the same year by architect Charles Towle, 'the mediaeval effect - increased by the painting of the roof timbers in gold, silver, blue, green and red'. Seating accommodation consists of '18 oaken chairs'. The prominent nature of the church was to prove a problem in the Second World War (1938-1945), when its steeple had to be dulled so that it was less visible to potential enemies approaching the Waitemata Harbour.
The church and hall remained a centre for community activity, with the hall being used for dances for young people through the war and into the 1960s. As outlying districts acquired churches of their own and the character of the immediate neighbourhood became commercial rather residential, however, parish life declined. The parish's last vicar was appointed in 1957. In 1963 the Auckland City Mission took over the church, which then became the headquarters of the Holy Sepulchre Mission District. In August 1969, Bishop E. Gowing, assisted by the Anglican Maori Missioner the Reverend Kingi Ihaka (1921-1993), later Sir Kingi Ihaka, dedicated the church as the Auckland Anglican Maori Mission. This reflected a major movement of Maori from rural to urban centres during the 1950s and 1960s, particularly to inner suburban housing vacated by wealthier residents. The church hall subsequently became Tatai Hono Marae (this place where all meet as one), reflecting its function as a meeting place for peoples of different iwi affiliation and origins. Ihaka, who served as Anglican Maori Missioner from the church until 1976, was later made Archdeacon of Tai Tokerau and from 1981 to 1984 was vicar general of the bishopric of Aotearoa. He also trained Maori choirs and cultural groups, and contributed to a conference in 1989 which established the principle of 'partnership' between Maori and Pakeha in the Anglican Church. In 1990 the ownership of the Church, hall and vicarage was transferred to the Maori arm of the Auckland Diocese, Te Komiti Tumuaki.
The hall, a resource used by the church and also by the broader community, has provided a venue for many cultural productions including in 2003, plays by the Koanga Maori Theatre Company. Arranged around the walls and on the underside of the ridge-piece of the interior are 20 printed panels that were designed in 1973 by silk screen artist Matthew Chote. A kitchen has been relocated from the basement and now occupies the building's east side.
The court room scenes from New Zealand's first Maori language full length feature film 'Maori Merchant of Venice', were filmed in the church in 2001. The church is currently the home of the choir 'Musica Sacra' and has also been made available as a place of worship for a number of other groups. The Fijian Methodist Church has worshipped there for the past 17 years. Since 2001 the Korean Calvary Church (Presbyterian) from St David's Church - on the opposite side of Khyber Pass Road - has held weekly services in the church and a charismatic Sanctuary Church also worships there. The hall continues to be used as a religious marae.
The Church of the Holy Sepulchre and its associated hall are located in Grafton, an inner suburb to the southeast of Auckland city centre. The buildings sit on the crest of a large ridge looking out over the city centre to the north, and towards the suburbs of Eden Terrace and Mt Eden to the south. The structures occupy part of a 4730m² rectangular site at the junction of Burleigh Street and Khyber Pass Road - a major arterial route between Newton and Newmarket with nearby access to the Southern Motorway. The size and ridge-top location of the church, in particular, makes it a prominent landmark in the inner city.
The site is orientated with its main axis north-south, with Khyber Pass Road bounding it to the north. The church is orientated east-west and is set some distance back from the main road frontage. Two large pohutukawa lie at the northern end of the site, with a large open space currently occupied by a car park and lawn between the trees and the church. The hall lies to the south of the church, near the eastern boundary of the site.
Areas outside the proposed registration but within the same legal title include another open space to the west of the hall, bounded by a low retaining wall, and a two-storey timber parsonage at the southern end of the property. These elements, and the church and hall, lie within the Upper Symonds Street Historic Area (NZHPT Registration # 7367). The historic area also incorporates a building associated with the church immediately to the east of the site, at 73 Khyber Pass Road, and numerous late nineteenth and early twentieth-century structures to the west on Khyber Pass Road, Symonds Street, and their adjacent streets. Although most of the buildings in the historic area are commercial in function, some are ecclesiastical, including the Baptist City Mission Church on Burleigh Street, St David's Presbyterian Church on Khyber Pass Road, and St Benedict's Catholic Church and Presbytery, on the corner of Alex Evans Street and St Benedicts Street.
The Church of the Holy Sepulchre is a large kauri timber building of cruciform plan with a tall steeple and steeply pitched roof. Designed in the Gothic Revival style, the building is made up of a nave with side aisles, transepts, apse, and tower. The tower, located at the northwest corner of the building, supports a prominent spire that is nearly 40 m (130 feet) tall. The church is viewed visually as a series of shorter elements clustered around the double-height space of the nave and transepts.
The church has six entrances, including a main doorway at the base of the tower. Other entrances are located at the building's southwest corner and in the eastern side of each transept. A small vestry near the eastern end of the building is accessed separately. The church fenestration mostly consists of lancet windows arranged singly or in pairs. The western elevation of the nave has three lancet windows, with a rose window centrally placed in its gable end.
Internally, the church incorporates a lofty nave, transepts and sanctuary, and is largely match-lined with kauri. The main roof incorporates decorated king-post trusses with exposed sarking above the rafters. The aisles are separated from the nave by a Gothic-arched colonnade, decorated with quatrefoil fretwork.
The western end of the building incorporates two entrance porches - including the main porch at the base of the northwest tower - and a Sunday school room. A stone font is centrally located near the western end of the nave, while a half-height screen delineates a music equipment room in the north aisle. Pews are set out in the eastern half of the aisles and in the nave. At least two different types of pews are evident, the simplest design of which may have come from the earlier Church of the Holy Sepulchre (1865) in Symonds Street cemetery. There are no pews in the transepts.
In the northern side of the chancel, an organ gallery accommodates a rare Brindley & Foster pipe organ, modified in 1913 by Norman & Beard. A Lady Chapel, furnished with an altar table and 18 oak, rush-bottomed chairs, is located on the south side of the chancel. Apart from an earlier lancet window in its east wall, this space represents a departure from the Gothic Revival style of the rest of the building, being an International Modernist interpretation of Tudor forms. The south wall of the Chapel has three rectangular leadlight casement windows. Patterns painted on the Chapel's rafters and a pelmet are part of its 1930s design.
Another notable element in the chancel is a pulpit commemorating George Patrick Pierce, a founder of the parish who died in 1891. This features representations of New Zealand flora: ponga fern trunks and fronds; clematis; and nikau palms that extend upwards to form a canopy. The pulpit is located next to a raised choir, above which are four lights from the earlier Church of the Holy Sepulchre in Symonds Street cemetery. The high altar in the sanctuary is lit by seven tall windows, six of which are stained glass memorial windows depicting scenes in the life of Christ. In the north transept is the three-light Dudley Memorial Window.
Designed in a simple Gothic Revival style, the hall is a single-storey timber structure with a basement and a gabled roof. It is broadly rectangular in plan, and comprises a large central room (formerly a nave when used as a temporary church), a kitchen lean-to along the east side of the building, and an aisled extension on the building's west side. Toilet facilities are accommodated in the basement area. A concrete block lean-to, containing a urinal, has been added at the southwestern corner of the building. There is a small lounge addition and concrete deck at the north end of the building.
The hall exterior is clad with horizontal ship-lap weatherboards, incorporating few decorative features other than lancet windows. Its northern and southern elevations have a triple lancet window high in each gable. There are several lancet windows in the west wall of the aisle.
Internally, the hall roof is supported by trusses with collar ties, curved timber bracing with steel tie rods, and cross bracing. The trusses are of braced king-post type, with roof sarking exposed above the rafters. Screen prints using traditional Maori patterns adorn the upper parts of the main walls and the underside of the ridge-piece. Part of the kitchen lean-to has a board and batten ceiling containing decorative vents. Its timber lining has been covered by plain sheet panels up to picture-rail height. A store/pantry is located off the southern end of the kitchen. Earlier windows from the nave have been re-used in the east wall of the kitchen addition - their old positions are still evident in the tongue and groove panelling on the east internal wall of the hall.
Three skeletal-style timber Gothic arches on either side of the hall separate the main space from the west aisle and kitchen respectively. At the south end of the hall is a stage with a storeroom on either side. The walls of the main body of the hall have ply or Gibraltar board panelling up to a 2.4m high dado, above which is timber lining.
Church: Pews; Sanctuary chairs (3), Lady Chapel oak chairs (18), Lady Chapel carved chair.
1880 - 1881
Shingle roof replaced with corrugated iron
1892 - 1896
Current pulpit installed.
Brindley & Foster organ installed.
Grand open arches in north and west screens of south vestry filled in with panelling.
Boundary picket fence and gates removed.
1920 - 1930
Baptism font relocated to nave and robing room provided in west end of nave.
Panelled screen with bevel glass constructed at right angles to south aisle wall.
Vestry, south side of chancel extended and converted into a Lady Chapel.
1950 - 1960
Vestry, north side of chancel remodelled.
Nave and transepts erected in Eden Crescent.
Building relocated next to the Church of Holy Sepulchre; transepts extended by 2.4m; small lean-to kitchen added to one side of nave, bathroom facilities added to the other
Building relocated to its current position; transepts modified, construction of basement at south end; kitchen and male and female toilet facilities developed in basement; stage built on upper level;
former lean-to extended to the north by addition of another room, width of west aisle reduced; electricity installed.
Kitchen developed in current location (two northernmost rooms on east side combined into one); basement toilet facilities redeveloped in basement.
New room (currently a lounge) added to the north end of Hall.
Concrete terrace constructed along part of north side; sub-basement recreation room developed.
1970 - 1980
Concrete block foundation walls built.
Silk screen panels added to interior.
Extensive maintenance undertaken.
1970 - 1980
Plasterboard ceiling added to 1920s robing room, room converted into a Sunday School area.
Church re-roofed; spire re-clad with copper; sprinkler system installed.
Church: Timber frame and wall cladding, with corrugated iron roof and brick foundations.
Hall: Timber frame and wall cladding, with corrugated iron roof and concrete block foundations.
9th June 2006
Report Written By
Martin Jones and Joan McKenzie
Auckland Public Libraries
Auckland Public Libraries
Photographs - Special Collections
Negative Numbers: 4 - 7996; 4-1332; 4-314; 4-47981; 4-7994; 4-7991
Auckland Weekly News
Auckland Weekly News
13 November 1880, p.3(3-4); 25 June 1881, p.11(1-2)
1 October 1938 p.2(2); 1 December 1938 p.4(2)
Cyclopedia of New Zealand, 1902
Cyclopedia Company, Industrial, descriptive, historical, biographical facts, figures, illustrations, Wellington, N.Z, 1897-1908, Vol.2, Christchurch, 1902
Dictionary of New Zealand Biography
Dictionary of New Zealand Biography
Ihaka, K., 'Ihaka, Kingi Matutaera 1921-1993', updated 7 July 2005, URL: http://www.dnzb.govt.nz/
Peter Shaw, 'Mahoney, Edward 1824/1825?-1895 & Mahoney, Thomas 1854/1855?-1923', updated 16 December 2003 URL: http://www.dnzb.govt.nz/
Lewis, E., 'Through the Looking-glass: An Investigation into the Decorative Glass in Six Anglican Parish Churches of Inner City Auckland', MA Thesis, University of Auckland, 1999
Frances Porter (ed.), Historic Buildings of New Zealand: North Island, Auckland, 1979
Salmond Reed Architects, 1999
Salmond Reed Architects, 'Church of the Holy Sepulchre: Condition Report and Maintenance Plan', Auckland, 1999 (copy held by NZHPT, Auckland)
Salmond Reed Architects, 2004
Salmond Reed Architects, 'Report on the Condition of Tatai Hono Marae', Auckland, 2004 (copy held by NZHPT, Auckland)
28 August 1865, p.4(5)
Auckland City Council
Auckland City Council
Plans - Auckland City Environments (Auckland City Council, Graham Street), Property File 2-10 Burleigh Street:
Building Permit issued 13 December 1918 and 4 sheets signed and dated 10/12/1918
Building Permit (15226?), 10 June 1958
Building 3601137101 p.2, 26 July 2001
A fully referenced version of this report is available from the NZHPT Northern Region Office.
Please note that entry on the New Zealand Heritage List/Rarangi Korero identifies only the heritage values of the property concerned, and should not be construed as advice on the state of the property, or as a comment of its soundness or safety, including in regard to earthquake risk, safety in the event of fire, or insanitary conditions.