Context:
The Strand Arcade is located in the heart of Auckland's Central Business District (CBD) on the west side of Queen Street, the main street. Opposite, on the east side of Queen Street, is the former Auckland Savings Bank Building (Register no. 4471, Category I historic place) erected in 1884. The small block in which the Strand Arcade is located lies to the north of a civic precinct defined by Mayoral Drive and Wellesley Street, an area containing a number of identified heritage buildings including the Auckland Art Gallery (Register no. 92, Category I historic place) completed in 1887; the Auckland Town Hall (Register no. 549, Category I historic place) completed in 1911; and the Civic Theatre (Register no. 100, Category I historic place) constructed in 1929.
The Strand Arcade is one of four heritage buildings within the block bounded by Queen, Wellesley, Elliott and Darby Streets. The other buildings are the former United Service Hotel (1884); the Smith and Caughey Department Store (circa 1910 and 1929) (Register no. 656, Category I historic place); and an ornate three storey warehouse (circa 1910) sited at the corner of Elliott and Darby Streets. On the west side of Elliott Street are the T & G Insurance Building (Register no. 659, Category II historic place) originally constructed as Archibald Clark's warehouse in 1910; and a building known as 39 Elliott Street which is of late-Victorian or Edwardian style.
The Strand Arcade, a well known landmark, occupies a through-site between Queen Street and pedestrian-orientated Elliott Street and is a significant visual feature of both streetscapes. It is also part of a wider historical landscape in the Queen Street Valley which contains a considerable number of notable heritage buildings.
Exterior:
The Strand Arcade is a four storey brick and reinforced concrete building with two basements (one front, one rear). Its lower portion incorporates part of the brick building constructed in 1899-1900 that was severely damaged by fire in 1909. The Queen Street facade, the upper sections of the party walls and the concrete interior date from 1910-1911.
The formal Queen Street elevation, designed in an Italianate style is divided into three tiers. A modern steel and perspex verandah shelters the centrally located entrance. At first floor level are five bay windows, each separated by double-height pilasters with capitals. The attic storey with bays divided by pairs of columns is emphasised by a heavy cornice and has a wrought iron balcony. The building has an ornamented parapet.
The less ornate Elliott Street façade is divided into seven bays by narrow brick pilasters. The central entrance is sheltered by a modern barrel-vaulted verandah. Window heads are segmental with a brick keystone. Above the wide central bay is an elaborate cartouche.
The roof consists of two long parallel hipped sections separated by a central section containing the glass lantern flanked at either end by a short hip.
Interior:
The building interior is a trabeated structure in reinforced concrete top lit by an extensive lightwell. On the ground floor, the central promenade is flanked by small shop spaces. The upper floors are separated from the central void by glass partition walls. Pedestrian bridges cross the lofty space, connecting the north and south sides of each floor. The overall layout, form, height and volume of the top-lit central void, a notable interior feature of the shopping arcade as reconstructed following the 1909 fire, remains intact enabling ongoing appreciation of the place's historic design and function as a purpose-built space accessible to Auckland's shopping public.
On either side of the Arcade entrance at ground floor level, is a shop directly accessed from Queen Street. Within the Arcade itself, small retail outlets (some combining two original shop spaces) open off either side of the central promenade. The majority of the shop-fronts are of 1970s date, some are more recent. They are designed in an imitative Victorian or Edwardian style. A centrally-located flight of stairs just inside the Queen Street entrance provides access to a restaurant in the front basement. A restaurant in the rear basement is accessed by stairs off the Arcade's Elliott Street entrance. An elevator and stairs located half way along the north side of the Arcade provide access to the basement and the upper floors.
Ornate plasterwork is evident on ceilings, covings and beams in the southernmost shop accessed from Queen Street at the Arcade's entrance. The corresponding shop on the north side is understood to contain a pressed metal ceiling within a mezzanine area. The ceilings of shops in the southeast section of the Arcade and the ceiling covings at the centre and either end of the promenade have plaster embellishments. On the ground and upper floors, the capitals of pilasters fronting the promenade bear an elaborate leaf and scroll motif.
The upper floors provide for a variety of uses believed to include backpacker accommodation, English language schools and offices. The linings and layout of the upper floors have been modified over the years, including some removal of partition walls.
Comparisons:
International context:
Shopping arcades can be defined as glass-covered passageways, which connect two busy streets and are lined on both sides with shops. Their upper storeys may contain stores, offices, workshops or dwellings. As precursors to the modern mall, their emergence coincided with the beginning of industrial capitalism, when high production levels caused by advances in technology made it imperative for the manufacturers of luxury goods to discover new methods of distribution, faster turnover, and easier promotion. Arcades initially developed in the late eighteenth-century Paris, at the same time as the social and political upheavals of the 1789 French Revolution. During this period, the French economy was liberalised and the purchasing power of the urban middle classes, who had assumed greater political rights, increased.
The precursor of the arcade is understood to be the Galeries de Bois (1786-88?) comprising rows of wooden shops separated by covered passageways lit by skylights. More permanent arcades were soon erected, including the Passage Feydeau (1791), the Passage du Caire (1799) and the Passage des Panoramas (1800). Many Parisian arcades were associated with theatres or other places of entertainment.
Within a couple of decades the first British shopping arcades emerged. In early nineteenth century London arcades and bazaars collected a variety of traders under one roof in an area controlled by a single proprietor who imposed stringent regulations to uphold the respectability of the establishment. The first English arcade, the Royal Opera Arcade (1817) was designed as the entrance to the London Opera House. London's most famous arcade, the Burlington Arcade (1818) is still operating. Other early surviving arcades include Glasgow's Argyle Arcade (1827), the first of its kind to have a continuous iron and glass roof.
By the 1830s, the construction of arcades had spread to other countries in Europe and to the USA. A fashion for larger arcades developed internationally, led by construction of the monumental Galleria Vittorio Emanuele II in Milan in 1865-77. Perhaps influenced by this structure, British arcades enjoyed a renaissance from the 1870s until about 1910, particularly in the main industrial centres of the North and Midlands where they catered to a growing and prosperous middle class. Construction declined in Britain and possibly elsewhere in the early decades of the twentieth century, as wealthy urban residents moved to the suburbs. British arcades of this period were usually more modest two-storey structures with utilitarian roofs. Few had galleries. In the latter part of the twentieth century, a fashion for shopping arcades resumed.
Australia and New Zealand:
In an Australian context, arcades were initially constructed in the largest cities, with the earliest possibly the Queen's Arcade in Melbourne (1853). The Royal Arcade (1869), also in Melbourne, is a particularly early surviving example, whilst the interior of the Prahan Arcade (1889-1890) has been considerably modified. The Block Arcade (1892) modelled on the Galleria Vittorio Emanuele II features a lavish interior which includes a mosaic tile floor and glass roof with a dome at its corner. The Stock Exchange Arcade, Brisbane dating from the late 1880s, and the Adelaide Arcade (1885) both survive. Sydney's Strand Arcade (1892) the fifth and last arcade built in Victorian-era Sydney is said to be the only one remaining in its original form in that city.
Shopping arcades do not seem to have been particularly common in nineteenth-century New Zealand, possibly because they primarily catered to a limited urban middle class clientele. Notable early purpose-built examples included the Royal Arcade, Dunedin (1861), which was demolished in 1929, and the imposing, Gothic-influenced Victoria Arcade, Auckland (1884-6), demolished in circa 1978. The latter is said to have been the best building of brick construction in Auckland.
A more substantial period of arcade-building evidently occurred in the first years of the twentieth century, following the country's emergence from a prolonged economic depression. Two large new arcades were built in Auckland's main commercial thoroughfare, Queen Street: the first incarnation of the Strand Arcade (1900); and His Majesty's Arcade (1902, demolished in 1988). Arcades also began to be erected in smaller urban centres, such as at Waimate (1906, Quinn's Arcade, Register no. 2041, Category II historic place), Invercargill (circa 1906) and Napier (circa 1908). These latter examples may reflect rural prosperity during the boom associated with refrigerated meat and dairy exports.
Shopping arcades continued to be erected until at least the 1920s, St Kevin's Arcade (1924) and Queen's Arcade (1924) being well-known examples in Auckland. In the 1960s a revival of arcades as a retail concept led to the conversion of existing commercial premises into shop-lined internal linkages between shopping streets. These sometimes incorporated escalators, as in the Canterbury Arcade, Auckland (1965-67). Between 1965 and 1977, eight arcades were created in Auckland's Queen Street gully alone.
Following the demolition of earlier arcades in the 1960s to 1980s, the Strand Arcade incorporates the remains of what is currently believed be the oldest existing purpose-built arcade in New Zealand (1899-1900). In its rebuilt form (1909-10), it is also one of the country's earliest full-standing survivors. Other remaining examples from the early Edwardian era include Quinn's Arcade (1906, converted to a theatre and billiard room in 1916), and a small shopping arcade in Invercargill (circa 1906). Of these remaining early arcades, the Strand Arcade appears to be the grandest and best-preserved, retaining much of its original Italianate appearance. Italianate design harked back to the prosperity of Italian Renaissance merchants, and was commonly adopted in late colonial New Zealand for the commercial buildings and residences of the urban nouveau riche. Other New Zealand arcades that employed variants of this style included the demolished His Majesty's Arcade. Italianate architecture was used in numerous arcades internationally, including the influential Galleria Vittorio Emanuele II in Milan, and many late nineteenth-century British examples.