The monastery was designed by Frederick de Jersey Clere, a well-known architect responsible for designing St Mary's of the Angels in Boulcott Street, where the Redemptorists had held many of their early missions. Built as an extension of the church, the eastern gable of the monastery mimics the structure and form of the church, giving the complex a balanced composition. The strong horizontal and vertical grid of the concrete post and beam structure is accentuated by red, brickwork arches of the cloisters and add drama to the building. Its Gothic pinnacles, pointed arches, and the lancet windows decorated with quatrefoils and trefoils, reflect the decorative elements used in the Church.
To comply with city council regulations, the building structure was composed of reinforced concrete and clad in brick veneer. Inside the monastery decoration was kept to a minimum, creating a severe yet dignified space. Heart timber was used for the doors, window frames and floors while the wall surface was generally of concrete covered with plaster. Bedrooms for the Redemptorists and guests originally occupied the first and second floors, together with living facilities such as a private chapel, oratory, library and parlour. The ground floor was used for storage and utilitarian rooms such as the kitchen and laundry. The workmanship and materials used in the building are of a very high standard and the design appropriately religious.
Other than changes made for decorative or safety reasons, the monastery has had only two major changes. The first was the enclosure of the cloisters on the first and second floors, to block out the high Wellington winds. The second, and more dramatic, alteration was the demolition of the original entrance, removed to make way for a car park in 1971 when the Church became a parish. It is a reflection of the attempts made by the Redemptorists during this period to cater more for their local congregation.
The monastery continued to serve the Redemptorists until 1988, when increasing rates and declining numbers forced them to sell the property. The proposed sale of the building raised considerable concerns within the Wellington community about its future. However, the strong spiritual role of the building was retained when the International Catholic Programme of Evangelisation (ICPE) purchased it for use as a retreat and training centre for evangelist missionaries in 1992. In recognition of the monastery's importance as a historic landmark, the Wellington City Council purchased land in front of the monastery to prevent it being obscured by new buildings. The new owners have entered into a heritage covenant that secures the future of St Gerard's Monastery until at least 2012.
The highly visible and dramatic siting of St Gerard's Monastery on a cliff above Oriental Bay makes the building one of Wellington's most distinctive and significant landmarks, and a feature of many Wellington paintings and postcards. The seamless conjoining of the monastery to the church greatly adds to the aesthetic significance of the building and reflects the close and continuing social connection between them. The building was designed by the nationally renowned architect, Frederick de Jersey Clere, a pioneer of the reinforced concrete construction of which the Monastery is composed. The materials and workmanship evident in the building are of exceptionally high quality.
Largely authentic in appearance, the monastery is highly esteemed by the public. Throughout its history, considerable measures have been taken to preserve the building, culminating in the heritage covenant signed by its current owners in 1993. The building has both national and international historical significance through its connections with the Catholic Church. As the first purpose-built monastery established by the Redemptorists in New Zealand the building reflects the strengthening of their position in this country. It is also the first mission centre established by ICPE in New Zealand. Its continuing use as a centre for the work of the Catholic Church gives the building a strong spiritual significance.








