The house Maddison designed is two-storeyed and constructed in brick. The upper storey is stuccoed and half timbered on the upper storey, a reference to the houses of Tudor England. With its English vernacular motifs and tiled roof, the building is characteristic of a number of houses in Christchurch designed for well-off professionals and businessmen around the turn of the century. Such houses were influenced by the Arts and Crafts movement in Britain, as experienced in New Zealand. The Arts and Crafts movement in architecture grew out of an interest in traditional construction and the moral worth of honest toil.
In 1905 Waymouth sold his house to Annie Townend (?-1914) and it was she who renamed the place Mona Vale, after her mother's house in Tasmania. Annie Townend was the daughter of one of the wealthiest runholders in Canterbury, George Moore of Glenmark. After her father's death in 1905, Townend continued to run Glenmark. She built the gatehouse at Mona Vale, which is also registered by the New Zealand Historic Places Trust/Pouhere Taonga. Townend also installed a fernery at Mona Vale; she acquired the building and its ferns from the International Exhibition held at Hagley Park in 1906-1907.
The four hectares of gardens around Mona Vale greatly contribute to the charm of the property. The house is orientated to the river and surrounded by lawns and other 'horticultural delights'. In 1939, when Mona Vale was owned by Tracy Gough, Alfred Buxton, the noted Canterbury landscape architect, was employed to lay out the gardens.
In 1962 the property was sold to the Church of the Latter Day Saints, also known as the Mormons. A few years later the Church wished to subdivide the property and demolish the house. The public outcry that this caused led to the purchase of the property by the Christchurch City Council, helped by a local fund-raising campaign. Since then it has primarily been used as a restaurant and function centre.
Mona Vale is significant as an example of Maddison's domestic architecture, and as a representative of the 'Old English' style house, which became a notable part of Christchurch's architectural heritage. It reflects the lifestyle of the wealthier residents of Christchurch at the turn of the century and it has immense public significance as a valued 'oasis in the heart' of Christchurch.
'Over time the property has undergone considerable change through the interests of its owners and the purchase of further land holdings incorporated into the site. It is noted by Louise Beaumont in her 2009 Landscape Conservation Plan, p.3, that it was "firstly designed as the ornamental pleasure grounds associated with a town estate, and then as the extended grounds of a church facility. More recently it has functioned as a passive-recreation, historic and garden/park developed around the extant historic buildings, structures and plant fabric."



List Entry Information
Status
Listed
List Entry Status
Historic Place Category 1
Access
Able to Visit
List Number
283
Date Entered
7th April 1983
Date of Effect
7th April 1983
City/District Council
Christchurch City
Region
Canterbury Region
Legal description
Lot 9 DP 7787 (RT CB13K/1092), Canterbury Land District.
Status
Listed
List Entry Status
Historic Place Category 1
Access
Able to Visit
List Number
283
Date Entered
7th April 1983
Date of Effect
7th April 1983
City/District Council
Christchurch City
Region
Canterbury Region
Legal description
Lot 9 DP 7787 (RT CB13K/1092), Canterbury Land District.
Construction Professional
Name
Maddison, Joseph Clarkson
Type
Architect
Biography
Joseph Maddison (1850-1923) was born in Greenwich and came to Lyttelton in 1872. He settled in Christchurch and commenced practice as an architect. He designed a large number of public buildings, mainly in Canterbury, including The Church of the Holy Innocents, Amberley, the Anglican Church at Port Levy, Warner's Hotel (1881) and Clarendon Hotel (1902), both in Christchurch, Government Buildings, Christchurch (1913) and numerous private residences. Maddison was well known as an industrial architect and was responsible for the warehouses of the Kaiapoi Woollen Company. His specialty, however, was in the design of freezing works. Among his designs were the Canterbury Freezing Works, Belfast (1883) and the Mataura Freezing Works, Canterbury and he is considered to have been one of the chief exponents in this field during the late nineteeenth century. He was admitted as a Fellow of the Royal Institute of British Architects in 1887.
Construction Details
Start Year
1899
startYearCirca
Finish Year
1900
Type
Original Construction
Construction Professional
Name
Maddison, Joseph Clarkson
Type
Architect
Biography
Joseph Maddison (1850-1923) was born in Greenwich and came to Lyttelton in 1872. He settled in Christchurch and commenced practice as an architect. He designed a large number of public buildings, mainly in Canterbury, including The Church of the Holy Innocents, Amberley, the Anglican Church at Port Levy, Warner's Hotel (1881) and Clarendon Hotel (1902), both in Christchurch, Government Buildings, Christchurch (1913) and numerous private residences. Maddison was well known as an industrial architect and was responsible for the warehouses of the Kaiapoi Woollen Company. His specialty, however, was in the design of freezing works. Among his designs were the Canterbury Freezing Works, Belfast (1883) and the Mataura Freezing Works, Canterbury and he is considered to have been one of the chief exponents in this field during the late nineteeenth century. He was admitted as a Fellow of the Royal Institute of British Architects in 1887.
Construction Details
Start Year
1899
startYearCirca
Finish Year
1900
Type
Original Construction
Historical and Associated Iwi / Hapū / Whānau
Completion Date
13th December 2001
Report Written By
Melanie Lovell-Smith
Information Sources
Christchurch Star
Christchurch Star
Doig, 2001
Suzanne Doig, 'Riccarton/Wigram Heritage Site Register', compiled Christchurch, 2001
New Zealand Historic Places
New Zealand Historic Places
Salmond, 1986
Jeremy Salmond, Old New Zealand Houses 1800-1940, Auckland, 1986, Reed Methuen
Shaw, 1997 (2003)
Peter Shaw, A History of New Zealand Architecture, Auckland, 1997
Other Information
This place was identified as significant under previous legislation with different information requirements. It remains significant under the current legislation. There is opportunity under our legislation and policies to add to this information. Further information about this place may be available from the Southern Regional Office of Heritage New Zealand Pouhere Taonga. Please note that entry on the New Zealand Heritage List/Rarangi Korero identifies only the heritage values of the property concerned, and should not be construed as advice on the state of the property, or as a comment of its soundness or safety, including in regard to earthquake risk, safety in the event of fire, or insanitary conditions.
Historical and Associated Iwi / Hapū / Whānau
Completion Date
13th December 2001
Report Written By
Melanie Lovell-Smith
Information Sources
Christchurch Star
Christchurch Star
Doig, 2001
Suzanne Doig, 'Riccarton/Wigram Heritage Site Register', compiled Christchurch, 2001
New Zealand Historic Places
New Zealand Historic Places
Salmond, 1986
Jeremy Salmond, Old New Zealand Houses 1800-1940, Auckland, 1986, Reed Methuen
Shaw, 1997 (2003)
Peter Shaw, A History of New Zealand Architecture, Auckland, 1997
Other Information
This place was identified as significant under previous legislation with different information requirements. It remains significant under the current legislation. There is opportunity under our legislation and policies to add to this information. Further information about this place may be available from the Southern Regional Office of Heritage New Zealand Pouhere Taonga. Please note that entry on the New Zealand Heritage List/Rarangi Korero identifies only the heritage values of the property concerned, and should not be construed as advice on the state of the property, or as a comment of its soundness or safety, including in regard to earthquake risk, safety in the event of fire, or insanitary conditions.
Current Usages
Uses: Trade
Specific Usage: Restaurant/cafe/tearoom
Former Usages
General Usage: Accommodation
Specific Usage: House
Current Usages
Uses: Trade
Specific Usage: Restaurant/cafe/tearoom
Former Usages
General Usage: Accommodation
Specific Usage: House
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