Context
Stoneways is situated in Epsom, an inner suburb of Auckland. Located to the southeast of Auckland’s main city centre, Epsom is a mainly residential area in which a number of recognised historic houses are located. Stoneways lies on the east side of Mountain Road, slightly to the south of a motorway overbridge. The east side of Mountain Road in the immediate vicinity consists of a mature streetscape of substantial circa 1920s residences and an early block of flats. The west side is occupied by Auckland Grammar School, a complex notable for its Spanish Mission style main block (Record no. 4471, Category I historic place); and for a War Memorial (Record no. 4472, Category I historic place) designed by William Gummer in 1921.
As well as noted nineteenth-century gentlemanly estate houses including Highwic (Record no. 18, Category I historic place), Clifton (Record no. 2623, Category I historic place), Marivare, Rockwood and Rocklands Hall (Record no. 7276, Category I historic place), a number of notable early twentieth century residences survive in the Epsom area. These include Ngahere (1907-8) and the circa 1914 Rannoch (Record nos. 4501 and 7198, Category II historic places); a Spanish Mission-style former janitor’s house (Record no. 4532, Category II historic place) constructed in 1914-15 in association with Auckland Grammar School completed in 1916; and the Frank Lloyd Wright-inspired Whare Tane built circa 1925-6.
Site Layout
The information in this and the following section of the report has been compiled from archival plans and images, a recent aerial image and street views from Google Earth.
Stoneways occupies an irregular, wedge-shaped lot of approximately 1200 square metres flanked by two rights of way. The house lies within the eastern part of the plot close to the side boundaries. A flat-roofed garage (1979) in the northeast corner to the rear of the house has access from the northern right of way. The front garden retains the rudiments of the original design through the maintenance of the building’s relationship to the street and surviving elements such as low brick walls and gate.
A low wall delineates the front garden and extends along the edge of the southern right of way. The wall across the front of the site is slightly set back from the legal boundary to provide for low, terraced garden beds. Access to the property is via a pair of low half-width timber gates, centrally located within a relatively narrow street frontage. The house is partially screened by trees, one on either side of the entrance within simple grounds.
Exterior
The two-storey house with basement is of an eclectic style, and is a solid, monumental structure with flat roof lines. The well-articulated composition of the numerous elevations, and changes in level, contribute to Stoneways’ significant aesthetic qualities.
An interesting angled façade with a portico located at the intersection of two wings extends towards the southwest boundary and partially encircles the front lawn. The sense of enclosure is enhanced by a single-storey, screened terrace with flat roof which extends north from the house.
The dwelling is constructed of concrete and rendered brick and has a terraced flat roof with simple rectangular chimneys. The roof parapet is relieved in places by lattice work. Stepped and recessed sections of the parapet reflect the complex composition of the building’s plain exterior walls, particularly on the southwest and east elevations. Timber shutters are part of the original design. Austere classical detailing is evident in the front entrance portico which has paired rectangular pilasters with squared tops, a simple cornice, and in the design of the loggia piers and those supporting the roof of a north-facing, first-floor balcony.
A strip of metal-framed windows with geometrical tracery encloses a former west-facing first floor balcony, an early alteration designed by Gummer. Elsewhere small window panes are arranged in sashes, casements and fanlights. Strip mouldings above openings accentuate the horizontal character of the elevations. A tall arch-shaped window in the southwest elevation lights a stair well, and is obliquely visible from the street. A single-storey laundry addition, designed by Gummer, is located at the southeast corner of the dwelling and extends to the right of way boundary. Garaging within the north section of the half-basement may retain timber doors with windows and metal strap hinges.
Interior
Due in part to its brick and concrete construction, Stoneways retains much of its original layout. Ground floor spaces include a living room and a dining room; service rooms; and two small interconnected halls. The first floor has a generous landing off which bedrooms and a bathroom are located.
In 1992 the house still had built-in furniture designed by Gummer: in an ante-room between the dining and living rooms; and in the dining room. The house also retained original joinery including doors, architraves, and panelling.
The entrance hall is located on a diagonal axis. Off the right side is the former den with a northwest facing bay overlooking the front garden. It is not known whether this room retains the fire place.
Off the left side of the entrance hall is a living room laid out on two axial lines to create a cross form. Concrete ceiling beams delineate the core rectangle of the space. A north-facing-terrace with partially enclosed sides is a natural extension of the room which has a fireplace on the south wall.
The ante-room within the southeast recess off the living room has a barrel-vaulted ceiling. A plain built-in timber cabinet containing drawers and shelving may survive.
The ante-room opens into a dining room orientated on an east-west axis. The dining room is lit by a shallow east-facing bay window. A built-in unit with a cupboard and drawer on either side of a fireplace, part of Gummer’s original design, were still in place in 1992. The fireplace may have survived concealed behind timber panelling.
To the south of the dining room, a servery linked to the kitchen was used as an office in the recent past. The kitchen opens into a passage leading to the laundry and rear yard. A door also opens from the kitchen into the stair hall. Off the south end of the stair hall, at a marginally lower level, is a lavatory with wash basin and modern fittings.
The ground floor of the stair hall has a curved wall with plaster-finish, as well as a timber panelled staircase and timber panelled walls. The doors of a coat cupboard have grilles with barley-twist timber turnings in lieu of door panels. Balusters of barley-twist style are found on a semi-circular section of the upper stair landing above the first floor.
As built, three of the four bedrooms opening off the irregularly-shaped first floor landing had a fireplace. Double doors open from the master bedroom onto a small north-facing, roofed balcony. The large west-facing terrace off the main bedroom is now enclosed. An east-facing balcony is accessed from the second bedroom (former nursery) off which was a sleeping alcove. The third bedroom occupies the west facing bay overlooking the front garden. A fourth (single) bedroom is located on the southeast corner of the first floor between the bathroom and staircase. The layout of the basement is not known.
Comparisons
Domestic residences designed by William Gummer
Fourteen houses are traditionally attributed to Gummer. These fall into three broad categories: suburban houses expressing an amalgam of Arts and Crafts and California bungalow influences; houses incorporating Baroque Revival and Stripped Classical stylistic elements; and antipodean Neo-Georgian.
Early domestic commissions designed by Gummer for Auckland clients while working with Hoggard, Prouse include the single-storey Cleave or Cotswalds House (Record no. 5440, Category I historic place), a well-preserved single-storey brick bungalow (1913-4) in Greenlane, described as the least representative of Gummer’s domestic architectural style.
The Abbott House, Marine Parade, Herne Bay; a house, at 27 Clifton Road and an adjacent cottage (29 Clifton Road), Takapuna for James Gunson, designed in 1913 are Arts and Crafts-influenced houses experimenting with ideas seen in the newly-designed ‘garden suburbs’ and country areas around London. All are of timber frame construction with timber weatherboard cladding and tiled roof and appear to have been significantly modified.
The sophisticated twin-gabled Champtaloup House (Record no. 510, Category II historic place) designed in 1914 in timber with a tile roof, illustrates a developing amalgam of the English and antipodean lifestyle. The Renner House (Record no. 2630, Category II historic place), Sarsfield Street, Herne Bay is a two-storey timber-clad dwelling with tile roof (1922) of similar style to timber houses designed by Gummer nearly a decade earlier.
Marire (Record no. 2586, Category II historic place), a three level brick house constructed in Epsom for Frank Winstone (1915) has a rotational plan centred around the staircase. Notwithstanding a single-storey addition and the extension of living rooms into a verandah, the place retains much of its internal layout and interior features. Elements such as the rotational floor plan were further developed at Tauroa and Stoneways.
Tauroa Homestead, Havelock North (Record no. 176, Category I historic place), completed in 1916 is the earliest of four well-known Gummer or Gummer and Ford-designed Hawke’s Bay residences. Notable for its monumental scale, complex plan and restrained simplicity, it is regarded as one New Zealand’s grandest twentieth-century homes. Its distinctive flat roof, reinforced concrete frame, pergola, balconies and lack of ornamentation reflect a design created for local conditions. Gummer’s flair for devising complex but lucid plans is illustrated by linked wings placed at oblique angles, a form also adopted at Stoneways a suburban derivation of the grander design. Inspired by Lutyens, the design for Tauroa was unique in New Zealand architecture and set Gummer apart from more conservative contemporaries.
Belmount/Belmont, Havelock North (Record no. 4412, Category I historic place) - originally known as Craggy Range - was constructed in 1918 with a reinforced concrete frame, first floor and roof. Anticipating the modern movement in New Zealand the design is said to express horizontality and calm in the composition of its elevations.
Arden House, Havelock North (Record no. 4410, Category I historic place) one of the first residences designed by the Gummer and Ford partnership, was constructed in 1925-6. Although structurally similar to Gummer’s two earlier Hawke’s Bay designs, the floor plan was more regular. Like the other two houses, the upstairs bedrooms reflected a distinct hierarchy. Used as a boarding house over the period between the 1940s and the late 1960s, Arden was converted to six flats in 1967 and was later renovated as boutique hotel. It has recently reverted to use as a private house.
Te Mata Homestead, Havelock North (Record no. 4409, Category I historic place) was evidently designed by Gummer and Ford in 1935. The residence was built on the footprint of an earlier house designed by local architect W. J. Rush in 1920 but destroyed by the Hawke’s Bay earthquake of 1931. The hipped-roofed structure is a comparatively conservative design illustrating an amalgam of the American Colonial Revival with English Arts and Crafts. As at Arden, the terraces and verandahs are less extensive than those at Tauroa, Craggy Range and Stoneways.
A three-level residence at 23 Glenfell Place, Epsom (1939) designed by the firm Gummer and Ford has a gabled roof and is described as of Mediterranean style. No longer attributed to Gummer, the design may be that of junior member of the firm, Geoffrey Rix-Trott, who has also been suggested as the possible designer of Te Mata Homestead.
The residence located at 390 Redoubt Road, Papatoetoe, was designed by Gummer in 1954 and after November 1957 became Mr and Mrs Gummer’s permanent home. The house is of asymmetrical plan and is still in family ownership.
Other Buildings
Hoggard, Prouse and Gummer (1913-21)
Major buildings designed during the Hoggard, Prouse and Gummer partnership in which Gummer was the principal designer include the New Zealand Insurance Company Building, Auckland (Record no 623, Category I historic place) constructed in 1914-18 and later known as the New Zealand Guardian Trust Building. The Stripped Classical form and structural innovation evident in this design and the State Fire Insurance Building, Wellington (1915), are said to have set new standards for commercial architecture in New Zealand.
Gummer and Ford (1923-61)
The architectural practice of Gummer and Ford was known for technically advanced work and some of New Zealand’s largest and most complex projects of the era.
While design and construction of Stoneways was underway, the practice worked on a number of commissions involving important commercial and public buildings. One of the smaller projects was the Grey Lynn Public Library, Auckland, (Record no. 584, Category II historic place) constructed in 1924. A notable commercial Auckland landmark was the Dilworth Building (Record no. 4600, Category I historic place) designed in a Stripped Classical style with strong Lutyens influences, erected in 1925-7. Neo-classical-style Pearson House, Parnell, Auckland (Record no. 4580, Category I historic place) publicly opened in 1926 providing a non-institutional environment for residents at the Royal New Zealand Foundation for the Blind. The Remuera Public Library (Record no. 115, Category I historic place) under construction in 1926, earned Gummer and Ford a NZIA Gold Medal in 1928 for its restrained classical design.
The firm was awarded a second NZIA gold medal, in 1931, for the Neo-classical-style Auckland Railway Station (Record no. 93, Category I historic place). Designed in 1926 and constructed 1927-30 the building was modelled on United States prototypes and represented a departure in monumental civic architecture in New Zealand.
Gummer won a 1930 competition to design the National War Memorial (1932), the National Art Gallery and Dominion Museum (1936) and the Hall of Memories (1964) (Record nos. 1410 and 1409, Category I historic places). Gummer, who served in Egypt during the First World War, had earlier designed a series of war memorials that demonstrated his ability to combine traditional architectural styles with restrained formal geometry. These included the Bridge of Remembrance at Christchurch, and the Dunedin Cenotaph both constructed in 1921, and the Auckland Grammar School War Memorial erected the following year (Record nos. 289, 2221 and 4472, Category I historic places). Gummer also designed the Massey Memorial (Record no. 222, Category I historic place) unveiled in Wellington in 1930 to commemorate William Fergusson Massey (1856-1925) Prime Minister of New Zealand (1911-25), a person of national historical significance. In 1932, Gummer was appointed to be an honorary architect to the Waitangi Trust Board as part of a programme to restore the Waitangi Treaty House (Record no 6, Category I historic place) as a symbol of nationhood.
The Auckland Domain Wintergardens (Record no 124, Category I historic place) was a notable civic amenity constructed in three stages between 1916 and 1930.
Significant commercial buildings of modern architectural style include the Dingwall Building, Auckland (Record no. 4584, Category II historic place) dating from 1935 adopting advanced structural technology that represented an important development in high rise architecture in New Zealand. The State Fire Insurance Office Building, Wellington (Record no. 231, Category I historic place) constructed in 1940 was one of the earliest major buildings in central Wellington to illustrate the influences of European modernism.