Early history of the site
The site is located on the lower western slopes of Maungakiekie (One Tree Hill), which incorporates the former pa of the Waihoua chief Kiwi Tamaki. Maungakiekie was part of the broader Auckland Isthmus taken over by Ngati Whatua in the eighteenth century, preceding colonisation and the founding of Auckland as capital in 1840. Subsequently known as Epsom, the area to the west of Maungakiekie was subdivided following the transfer of the Waitemata-to-Hobson and Waitemata-to-Manukau blocks in 1841 and became renowned for its fertile farmland and large country homes.
The land that later became Claude Road was part of an 1847 Crown Grant of approximately 22 hectares, taken up by James Williamson (1814-1888) who later established a substantial residence on his Pah Farm estate nearby. Epsom farmer William Gardner (1829?-1899) bought the 22-hectare block in 1866, having leased it since 1859. In 1887 Gardner subdivided his holding into a number of large allotments, laying the basis for creation of Claude, Crescent and Gardner Roads and Emerald Street. A decade later he sold two allotments to Elizabeth Burns, the wife of Auckland hardware and iron merchant, John Burns.
Amidst intensifying subdivision further contributing to Epsom's transformation into a residential suburb, Mrs Burns subdivided allotment 17 into five parcels in 1914. The north-facing properties had a semi-rural aspect adjoining Cornwall Park and also overlooked the grounds of the Costley Home for the Poor (1889-90), which fronted Green Lane.
Purchase of the site by Frank Winstone (1915)
In April 1915, Auckland merchant Frank Martin Winstone (1879-1952) purchased a three-lot parcel immediately adjoining Cornwall Park as the site for a home for his young family. Many large residences were constructed in Epsom by prominent Auckland businessmen and industry leaders in the early twentieth century, reinforcing the suburb's reputation as a desirable middle class area. The desirability of South Epsom may have been reinforced by its proximity to Cornwall Park, an amenity gifted to the people of Auckland in 1901 by John Logan Campbell (1817-1912) an early founder of the city.
Auckland-born Winstone was the son of Mary (nee Martin) and George Winstone. William and George Winstone, Frank's uncle and father respectively, were the 1869 founders of the general carrying and fuel supply business W. and G. Winstone. Profiting from contracts issued by the 1870s Vogel government, the firm became one of the largest haulage firms in the Auckland region. Formation of a limited liability company in 1904 enabled expansion of the firm's growing building supply interests, as attention turned to the production of materials for an urban economy dominated by suburban construction.
Frank Winstone did not enter the family firm, having in 1895 joined the seed and grain business of his maternal uncle Robert Martin. Taking over the firm in 1908 and trading under the name Frank M. Winstone, he capitalised on the completion of the North Island Main Trunk rail line to supply agricultural products to a growing number of small farmers breaking in land in the Hauraki Plains, the Waikato and Bay of Plenty. As well as grain and seed, goods included manure products.
Construction and initial use of Marire (1915)
In 1910, Frank Winstone married Grace Harbutt (1886?-1966). A schoolteacher, Grace was the sixth daughter of an Auckland corn broom merchant named Thomas Harbutt. The Winstones initially lived in Northcote, where their first two children were born. In 1914, they commissioned architect William Henry Gummer (1884-1966), a personal friend, to design their new home.
Evidently constructed in 1915, the large two-storey dwelling was sited towards the southeast corner of the 4200 square-metre (one acre) property. The residence was constructed of mid-brown-coloured brick, had tile-hung dormers and a tiled roof. Window openings were timber-framed casements. The grounds, which may have been part of the design concept, included a curving driveway from Claude Road, plantings and extensive lawns.
Known as Marire, the Winstone residence had a Garden City-inspired exterior and a floor plan extending over several levels. Arts and Crafts influences were evident in the dominant roof featuring steeply-pitched gables, dormer windows, and tall chimneys. The earthy-coloured exterior incorporated battering to accentuate the solid appearance of the walls. Elevations incorporated arches, porches and features that contributed to the perception of a structure in the round.
The front porch opened into a rectangular hall. The living room and linked dining room had oak panelling and timber beamed ceilings. The living room with an inglenook opened onto a west-facing verandah within the low roofline. A kitchen, pantry and maid's room were located in the rear east portion of the house with a breakfast room in the front.
On the first floor were four bedrooms, a bathroom and a lavatory. In the half-width basement was a garage, play room and washhouse.
Constructed at a time when Winstone Limited was expanding its building supply interests, the house is likely to have incorporated company products. The firm had acquired the agency for bricks produced at Gardner Brothers and Parker's works at New Lynn. In 1913 it added the agency for Cafferata Plaster, which led to the importation of wall board.
The identity of the building contractor is not known.
The designer, Auckland-born William Gummer was articled to local architect William Holman in 1900. Gummer later studied at the Royal Academy of Arts, London, a body dominated by beaux-arts classicism, an architectural style characterised by grandness, formality, symmetry and elaborate ornamentation. He worked in the office of the notable British architect Edwin Lutyens in 1911, a period of emerging classicism in the latter's work. Gummer was to become the most prominent of four New Zealand-born architects who studied under Lutyens. He also worked briefly in the United States in 1912 under Daniel Burnham, a leading figure of the influential Chicago School. There he was exposed to the latest structural ideas for multi-storey commercial developments.
On his return to New Zealand in 1913, William Gummer became a partner of Hoggard, Prouse and the principal designer of the practice, creating technologically advanced multi-storeyed buildings in the restrained classical style. Setting new standards in commercial architecture these structures included the New Zealand Insurance Company Building in Auckland (1914) and the State Fire Insurance Building, Wellington (1915).
Gummer's domestic works, although comparatively small in number, achieved equal distinction. Among the earliest, Marire was heavily influenced by Lutyens' work, as exhibited by its prominent arched entry, low gables, flat-roofed dormers, an inglenook and many fireplaces. The low-roofed verandah suggested an adaptation for an antipodean climate and lifestyle.
Marire was one of a small group of houses designed by Gummer while working with Hoggard, Prouse. The single-storey Cleave or Cotswalds House (1913-14) (Record no. 5440, Category I historic place) evidently reflected few of Gummer's ideas relating to space disposition and design. By contrast the Abbott House at Herne Bay (1913) and two Takapuna residences for James Gunson were something new for Auckland and experimented with ideas Gummer had seen in the newly-designed Garden Suburbs and country areas around London. The sophisticated twin-gabled Champtaloup House (1914) (Record no. 510, Category II historic place) illustrated a developing amalgam of the English and antipodean lifestyle. Other than the brick Cleave House, these works were in timber.
Marire's shady verandah and rotational plan centred around the staircase (possibly an American influence) were elements further developed in more distinctive domestic designs, notably at the landmark Tauroa, Havelock North (1916) (Record no. 176, Category I historic place) and in Gummer's own home Stoneways, Epsom (1926). Tauroa, regarded as one of New Zealand's grandest twentieth-century homes, marked the emergence of a personal approach to architecture signifying a break with more conservative architectural contemporaries.
In 1923, Gummer went into partnership with C. Reginald Ford (1880-1972) giving rise to one of the Dominion's most prominent practices of the 1920s and 1930s. Gummer and Ford produced technically advanced work and undertook some of New Zealand's largest and most complex projects, including the Auckland Railway Station (1926-30) (Record no.93, Category I historic place) and the State Fire Insurance Building, Wellington (1940) (Record no.231, Category I historic place). Although he remained essentially a traditionalist, Gummer joined an international trend towards modernism in the 1930s and began designing in a style later described as 'moderate modernism'. The practice, which provided an important training ground for young architects including leading figures in the modernist movement in New Zealand, was dissolved in 1961 upon the retirement of its founders.
Subsequent use and modifications
After 1915 Frank and Grace Winstone lived at Marire for three decades raising their three children there. Brick steps, piers, paving and stone walls, part of the overall design, were in place by 1917, the year Marire and two other Gummer-designed homes featured in Modern Houses of New Zealand by Architects of Standing. A side gate in the stone boundary wall provided direct access from the property into Cornwall Park. A potting shed and a garden shed were erected at an unknown date. In 1920, the property was transferred into Grace Winstone's ownership.
Frank M. Winstone became a limited liability company in 1923, a period when Frank was actively involved in business and community organisations. President of the New Zealand Grain, Seed and Produce Merchants' Association in 1923, he was elected to the council of the Auckland Chamber of Commerce the following year. An office-bearer in the Methodist church for over 50 years, Winstone became treasurer of Trinity Theological College in 1927 a post he held for 25 years. Grace was actively involved in the Wesley Orphanage, an institution originally endowed by William Winstone.
In 1925, Marire's imported roof tiles were replaced with a Winstone product promoted in a 1927 advertisement displaying the house. A single-storey addition at an unknown date shortly after almost doubled the size of the breakfast room but blocked the north arch of a side porch. Other alterations of unknown date included removal of an inglenook (without disturbing the fireplace) to accommodate a small extension with a window seat on the west side of the living room. The remaining verandah area was enclosed to create a sunroom. Two window seats may also have been added to the dining room. A freestanding brick garage with tile roof was erected prior to 1940.
As agricultural pastures became well established, declining demand for grass seed led Frank M. Winstone Limited to diversify into agrichemicals and spray machinery, insurance, importing agencies and flower and vegetable seed retailing. New initiatives in the 1940s included the manufacture of Lily brand paper cups and plates, and drinking straws for the national market. Cardboard pottles and lids were produced for the retailing of food commodities including ice cream and honey in an era before the use of plastic containers.
In 1944 the Winstones sold Marire to nephew Bruce Winstone. Bruce, who had joined Winstone Limited in 1938 as an engineer, became a director in 1948 and was closely involved in the development of the Mt Wellington and Hunua quarries. Alterations to the Claude Road house during his four-decade tenure included modernisation of the kitchen and conversion of the rear porch into a bathroom (1951), work designed by architect Irwin Crookes and undertaken by contractor R. Savoury Limited. A skylight was installed within the south-facing roof. In 1960, a flat-roofed boat shelter was constructed at the southwest corner of the property. An adjoining tennis court was developed at an unknown date in the two preceding decades.
Winstone Limited was taken over by Brierley Investments in 1984 who onsold to Fletcher Challenge four years later. Marire's seven-decade association with the family ended in 1988, around the time Frank M. Winstone Merchants Limited ceased trading under the family name. Subsequently, exterior doors were added to the south wall of a reworked kitchen that incorporated the former maid's room. The ground floor bathroom was redesigned and a new ceiling was provided in the back hall. The house was featured as a significant work of architect William Gummer in a 1990 history of New Zealand architecture. Marire remains in use as a private residence.