The construction of the Cenotaph was initiated after a special committee was set up to coordinate fundraising and building of a monument to commemorate the New Zealanders lost in the First World War. The committee went about building in a typically New Zealand way, holding a competition to decide upon the final design. The competition was won by the firm of Grierson, Aimer and Draffin and the sculptor Richard Gross and would cost £25,000. The memorial and sculpture were originally to be situated on the west side of Pigeon Park (now Te Aro Park) in Manners Street, but in 1924, the Government gave permission for the current site to be used.
Construction of the Cenotaph began on ANZAC Day, 25 April 1929 with the foundation stone being laid by the Governor General of the time, Sir Charles Fergusson. The foundation stone was not laid alone but with newspapers of the day, Bishop Scott’s dedicatory prayer, a Returned Servicemen’s Association (RSA) badge, some coins and the embarkation roll of the First New Zealand Expeditionary force in 1914.
The memorial consists of a Coromandel Granite Base, supporting a Carrara Marble viewing room and obelisk capped by the bronze statuary of (a) ‘victorious youth mounted on the winged horse Pegasus and looking to heaven for strength and wisdom to make worthwhile the sacrifices represented by the shrine below’. The sculpture, entitled ‘The Will to Peace’ emphasises the cost of war, with ‘Pegasus spurning underfoot the victor’s spoils of war and rising to the heavens, enables his rider to emerge from the deluge of blood and tears, and to receive the great spiritual assurance of peace’.
The detailing of the stone reliefs on the base of the memorial call attention to the disillusionment many New Zealanders felt at the commencement of the ‘Great War’. On the back of the base is a pelican feeding its life-blood to its young, a symbol of the women of New Zealand sacrificing sons, brothers, husbands and fathers to the war. On the front, a solemn stone relief shows a soldier leaving his family and being called to war. Upon its completion, the Cenotaph was dedicated as a Citizens’ War Memorial on 17 April 1932 with plaques being placed around the base.
In 1952, the memorial was rededicated to include those who had been lost to the Second World War of 1939-1945. Two bronze lion statues were added to the forecourt of the memorial and a series of bronze friezes were placed around the outer walls of the viewing room, including the insignia of the armed forces and startlingly, a number of bronze bombs.
In the years since, the Cenotaph has been the focus of several restorations, one in 1997 and another in 2010. The effects of the city environment, as well as natural weathering and the age of the memorial were all considerations taken into account in the decision to restore the monument. Importantly in the 2010 restoration the focus of the work was not to attempt to make the Cenotaph new, but to make it last.
The Cenotaph is a highly significant historical site and is one that has been largely unaltered as time has passed. The statute and memorial mark a composition that is restrained but expressive considerably enhancing the Government Centre Historic Area. The Cenotaph remains a feature of Wellington's ANZAC day services. Standing guardian to the city of Wellington, the Cenotaph is a nationally significant monument that presents a timeless message of the losses and realities associated with war.





List Entry Information
Status
Listed
List Entry Status
Historic Place Category 1
Access
Able to Visit
List Number
215
Date Entered
18th March 1982
Date of Effect
18th March 1982
City/District Council
Wellington City
Region
Wellington Region
Extent of List Entry
Extent includes the land described as Pt Sec 491 Town of Wellington (PROC 1862, 1863, 2129; NZ Gazette 1989, p.5763), Wellington Land District, and the structure known as Cenotaph thereon
Legal description
Pt Sec 491 Town of Wellington (PROC 1862, 1863, 2129; NZ Gazette 1989, p.5763), Wellington Land District
Status
Listed
List Entry Status
Historic Place Category 1
Access
Able to Visit
List Number
215
Date Entered
18th March 1982
Date of Effect
18th March 1982
City/District Council
Wellington City
Region
Wellington Region
Extent of List Entry
Extent includes the land described as Pt Sec 491 Town of Wellington (PROC 1862, 1863, 2129; NZ Gazette 1989, p.5763), Wellington Land District, and the structure known as Cenotaph thereon
Legal description
Pt Sec 491 Town of Wellington (PROC 1862, 1863, 2129; NZ Gazette 1989, p.5763), Wellington Land District
Construction Professional
Name
Grierson, Aimer & Draffin
Type
Architectural Partnership
Biography
Hugh Cresswell Grierson (1886-1953) was practising as an architect prior to the First World War. He served in the New Zealand Army and remained overseas to continue his studies at the Architectural Association in London. He became an Associate of the Royal Institute of British Architects. He returned to New Zealand and went into partnership with Kenneth Walter Aimer (1891-1960), a fellow student in London. Aimer was educated at Auckland Teachers' Training College and Auckland University College. He became a registered architect in 1918, and later travelled to England to continue his studies. He became an Associate of the Royal Institute of British Architects in 1925. Malcolm Keith Draffin (1890-1964) was in partnership with Edward Bartley and his son Alva when the First World War began. Draffin served in the army and was awarded the Military Cross. He remained in London after the war to study at the Architectural Association, and was elected a Fellow of the Royal Institute of British Architects. Following Edward Bartley's death in 1919, Alva Bartley and Draffin dissolved the partnership. The Auckland Institute and Museum complex was the major work of the firm, for which they were awarded a Gold Medal by the New Zealand Institute of Architects in 1929. The firm's other work includes the South British Insurance Company, Shortland Street and a number of cinema's including the Capitol, Dominion Rd (1922), the Rialto, Newmarket (1923), the Collosseum/Majestic, Queen Street (1924) and the Edendale cinema (1926). They were one of the first Auckland firms to adopt the Art Deco style popular in America, as can be seen in the Gifford's Building (1929), and they also designed in the Stripped Neo-Classical style as seen in the Northcote War Memorial Pavilion (1922) and the Parnell Library (1923). The Depression halted most building activity and as a result the partnership was disbanded. Draffin and Aimer practised separately while Grierson took up farming.
Construction Details
Start Year
1929
Finish Year
1932
Type
Original Construction
Description
Foundation stone laid 1929. Completed and dedicated in 1932.
Start Year
2010
Type
Other
Description
Restoration.
Start Year
1997
Type
Other
Description
Repairs completed to keep thte structure waterproof and sound.
Construction Materials
Coromandel Granite Base, Carrara Marble viewing room and obelisk capped by the bronze statuary.
Construction Professional
Name
Grierson, Aimer & Draffin
Type
Architectural Partnership
Biography
Hugh Cresswell Grierson (1886-1953) was practising as an architect prior to the First World War. He served in the New Zealand Army and remained overseas to continue his studies at the Architectural Association in London. He became an Associate of the Royal Institute of British Architects. He returned to New Zealand and went into partnership with Kenneth Walter Aimer (1891-1960), a fellow student in London. Aimer was educated at Auckland Teachers' Training College and Auckland University College. He became a registered architect in 1918, and later travelled to England to continue his studies. He became an Associate of the Royal Institute of British Architects in 1925. Malcolm Keith Draffin (1890-1964) was in partnership with Edward Bartley and his son Alva when the First World War began. Draffin served in the army and was awarded the Military Cross. He remained in London after the war to study at the Architectural Association, and was elected a Fellow of the Royal Institute of British Architects. Following Edward Bartley's death in 1919, Alva Bartley and Draffin dissolved the partnership. The Auckland Institute and Museum complex was the major work of the firm, for which they were awarded a Gold Medal by the New Zealand Institute of Architects in 1929. The firm's other work includes the South British Insurance Company, Shortland Street and a number of cinema's including the Capitol, Dominion Rd (1922), the Rialto, Newmarket (1923), the Collosseum/Majestic, Queen Street (1924) and the Edendale cinema (1926). They were one of the first Auckland firms to adopt the Art Deco style popular in America, as can be seen in the Gifford's Building (1929), and they also designed in the Stripped Neo-Classical style as seen in the Northcote War Memorial Pavilion (1922) and the Parnell Library (1923). The Depression halted most building activity and as a result the partnership was disbanded. Draffin and Aimer practised separately while Grierson took up farming.
Construction Details
Start Year
1929
Finish Year
1932
Type
Original Construction
Description
Foundation stone laid 1929. Completed and dedicated in 1932.
Start Year
2010
Type
Other
Description
Restoration.
Start Year
1997
Type
Other
Description
Repairs completed to keep thte structure waterproof and sound.
Construction Materials
Coromandel Granite Base, Carrara Marble viewing room and obelisk capped by the bronze statuary.
Historical and Associated Iwi / Hapū / Whānau
Completion Date
6th October 2011
Report Written By
Kayla Wilson
Information Sources
Dominion Post
Dominion Post, Wellington
Evening Post
Evening Post, 27 Jun 1919, p.7.
MacLean, 1990
Chris MacLean and Jock Phillips, The Sorrow and the Pride: New Zealand War Memorials, Wellington, 1990
New Zealand Institute of Architects Journal
New Zealand Institute of Architects Journal (NZIA), No.8, Aug 1974
Other Information
This place was identified as significant under previous legislation with different information requirements. It remains significant under the current legislation. There is opportunity under our legislation and policies to add to this information. Further information about this place may be available from the Central Regional Office of Heritage New Zealand Pouhere Taonga. A fully referenced report is available from the Central Region Office of NZHPT. Please note that entry on the New Zealand Heritage List/Rarangi Korero identifies only the heritage values of the property concerned, and should not be construed as advice on the state of the property, or as a comment of its soundness or safety, including in regard to earthquake risk, safety in the event of fire, or insanitary conditions.
Historical and Associated Iwi / Hapū / Whānau
Completion Date
6th October 2011
Report Written By
Kayla Wilson
Information Sources
Dominion Post
Dominion Post, Wellington
Evening Post
Evening Post, 27 Jun 1919, p.7.
MacLean, 1990
Chris MacLean and Jock Phillips, The Sorrow and the Pride: New Zealand War Memorials, Wellington, 1990
New Zealand Institute of Architects Journal
New Zealand Institute of Architects Journal (NZIA), No.8, Aug 1974
Other Information
This place was identified as significant under previous legislation with different information requirements. It remains significant under the current legislation. There is opportunity under our legislation and policies to add to this information. Further information about this place may be available from the Central Regional Office of Heritage New Zealand Pouhere Taonga. A fully referenced report is available from the Central Region Office of NZHPT. Please note that entry on the New Zealand Heritage List/Rarangi Korero identifies only the heritage values of the property concerned, and should not be construed as advice on the state of the property, or as a comment of its soundness or safety, including in regard to earthquake risk, safety in the event of fire, or insanitary conditions.
Current Usages
Uses: Commemoration
Specific Usage: Memorial - World War One
Uses: Commemoration
Specific Usage: Memorial - World War Two
Former Usages
General Usage: Commemoration
Specific Usage: Memorial - World War One
General Usage: Commemoration
Specific Usage: Memorial - World War Two
Themes
War Memorial
Web Links
description: The Memorials Register, New Zealand History Online, Ministry for Culture and Heritage.
Current Usages
Uses: Commemoration
Specific Usage: Memorial - World War One
Uses: Commemoration
Specific Usage: Memorial - World War Two
Former Usages
General Usage: Commemoration
Specific Usage: Memorial - World War One
General Usage: Commemoration
Specific Usage: Memorial - World War Two
Themes
War Memorial
Web Links
description: The Memorials Register, New Zealand History Online, Ministry for Culture and Heritage.
Location
Related listings
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